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伊索质疑

日期:2001年11月9日至11日

地点:维多利亚剧院

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马惠田引导着演员将剧中故事层层推进。

郭宝崑亲自上台带领演员对戏进行质问性的重现。

马惠田,郭宝崑与表演者通过经典名剧《伊索》进行的一场艺术碰击与对话,一次对人性的反思。

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剧评

The theatre scene in Singapore has seen a good number of classics dramatised on stage yet few have come out blustering with such idealistic fervour, impassioned by a cause but mediated with thought. Fashioned like a Greek drama, AESOP QUERIED is an especially cathartic piece, rousing strong emotions for an audience accustomed to stability and platitudes and perhaps vicariously feeding off these ideals which are performed but not lived. Steered by simple, identifiable themes such as love, freedom and dignity and familiar elements such as the life of Aesop and his fables, AESOP QUERIED is an ostensible dramatic "fight" for freedom against oppression, putting up a brave front against a cynical world and laughing at the world for all its vainglorious folly. It is a play that tries to keep finding relevance for itself in post-modern world which has found it archaic.

Adele Tan,The Flying Inkpot,9 November 2001

艺术来自生活。生活中形形色色的人物,林林总总的事情,剧场就有如一面镜子,让我们以不同角度,看看我们,看看别人。

郭践红|艺术总监