close button

••••••••••

棺材太大洞太小

日期:2001年9月14日至16日

地点:维多利亚剧院

••••••••••

祖父下葬之日,
众人赫然发现他老人家为自己定制的棺材太大,而洞太小!
作孙子的该怎么办?

郭宝崑名作《棺材太大洞太小》,
在印尼曼迪里剧场(Teater Mandiri)的全新诠释下,
彻底颠覆了这出耳熟能详的单人剧。

运用大量的声光色彩,采纳印尼皮影戏的表现手法,
导演朴图·委佳雅(Putu Wijaya)打破了原剧的框框,
为《棺》赋予异常奇幻另类的演绎风格。

朴图是印尼剧场与文学界举足轻重的艺术家,创作量不计其数。

曼迪里剧场演出的《棺》于去年日本亚洲演艺界首演,这个剧展以郭宝崑的剧作为主题。演出效果达到当代剧场艺术的最佳水平,结果震动人心,深获好评,被誉为“一场前卫的影子戏”。

arrow

剧评

“And that is what it was for me. Madness. A flurry of wild images some of which I found to be simply that – images. Certainly always powerful and stunning – boredom never raised its ugly head in this performance – but not always relevant to the themes of the text as I had identified them in my mind. That, however, is not the point, as Teater Mandiri would no doubt have argued … More importantly, did it evoke an emotional response of some form in me? Yes. And there is a value in that even if I cannot verbalize that reaction. In my quiet, I felt so much.”

Kenneth Kwok,The Flying Inkpot,16 September 2001

艺术教育对孩子最重要的是 - 它是文化的一部分。文化传达了一个国家最基本的“道”:方向、道路、价值。文化艺术的教育,更注重的是人格的成长。

吳丽娟|联合创办人 / 艺术顾问